Comparing the Themes of Vincenzio Bellini’s Norma and Euripedes Medea

canvass the Themes of Vincenzio Bellinis Norma and Euripedes Medea Vincenzio Bellinis opera house Norma is considered by umpteen to be a reworking of Euripedes holy determinateal calamity Medea. some(prenominal) plots make up numerous akin elements of Grecian catastrophe much(prenominal) as a chorus, atomic number 53 of location, and a piece determination and deed culminating in disaster. Richard Wagner greatly prize Grecian tragedies, accept them to be The highest show ever so r each(prenominal)ed in gay germinal skill (Wagner 1). In his raise Theories of Art, Wagner gives volt reasons for this dainty idol 1. It delineate a booming gang of the crafts-- metrical composition, drama, costumes, mime, music, trip the light fantastic and song-- and as such(prenominal) had greater celestial orbit and communicatory powers than any of the devices entirely. 2. It took its example way out from invention, which illuminates the compassionate follow through in ecumenic terms. (The myth is unfeigned for either beats. (Wagner 2)) 3. some(prenominal) the message and the amour of cognitive process had sacred significance. 4. It was a trust of humanism and a exultation of life, make up in death. 5. The stallion companionship took part. Medea likewise deals heavy with the themes of distaff jealousy, its capabilities, and infanticide, as does Norma. Norma exhibits non altogether the embodiment of these themes, still overly exhibits Wagners theories of authorization of Hellenic tragedy, consequently offer Bellinis opera to be as efficient in word picture the classic ideals of classic tragedy as its counterpart, Medea. Wagner believed that as time went on, Greek art soft disintegrated, each someone art tone ending a disassociate way, create aloneinstrumentals without words, poetry without music, drama without either, etc. He believed it boost disintegrated with the presentation of Christiani... ...s M edea Trans. Rex Warner. The Harcourt dyad Anthology of period of play thirdly Edition. Orlando Harcourt, 2000. Georgousi, Fotini sad Women Plotting and Transgressing atomic number 25 University turn on 2001. McIver, Barbara Basore, B.A., M.A. skinny Girls, noisome Girls and Heroines Models from legend University of Akansas insisting 1968. Plunka, ingredient A. Ed. Antonin Artaud and the ultramodern sphere late jersey Associated UP, 1994. Romani, Felice Norma (libretto) trans. Olcese, Stefano, 2000. Romani, Frederico Alexandre Soumet and his 3 Muses atomic number 25 opera Pubs. 2003. Schumacher, Claude and Brian Singleton. Eds. Artaud on sphere capital of the United Kingdom Methuen, 1989. Sferro, Nuccio Norma Libretto Notes Stanford University Press, 2000. Wagner, Richard Bellini A denomination in succession trans. William Ashton Ellis Wagners Prose works Vol. 8 pp. 67-69, 1899.